Rosylyn Rhee

Nov 1, 2021. Screening of The Re-creation of a Masterpiece: La Prose du Transsibérien at The Grolier Club.

Oct 11, 2021. Screening of The Re-creation of a Masterpiece: La Prose du Transsibérien at Maggs Bros. Ltd. with the Drop Dead Gorgeous exhibition.

Mar 25, 2021. Q & A at the MCBA for a screening of The Re-creation of a Masterpiece: La Prose du Transsibérien, with curator/artist Kitty Maryatt and MCBA Executive Director Elysa Voshell.

YOUTUBE LIVE

Oct 15, 2020. Featured on opening episode, Season 2 of Harry Bugarin’s HBTV to discuss my journey as a documentary filmmaker.

Mar 22, 2017. These institutions purchased Oma Rhee for their libraries: Bryn Mawr, Harvard, San Francisco State, Stanford, Swarthmore, Syracuse, University of Iowa, UC San Diego, UC Santa Cruz.

Feb 23, 2017. In feminist filmmaker and scholar Alexandra Juhasz’s "#16: practice strategic contemplation" on Media Praxis.

Apr 15, 2016. Invited to join the Board of Directors of Hatim Belyamani's remix ←→ culture.

FEMINIST FILMMAKING METHODOLOGY

Sep 25, 2015. Cited throughout “Chapter 2: The Principles of Feminist Filmmaking” in Alexandra Hidalgo’s video book, Cámara Retórica: A Feminist Filmmaking Methodology for Rhetoric and Composition.

Feb 11, 2014. Interviewed along with Richard Hartley on Southern California Public Radio NPR-member station, KPCC. We discussed Supernatural.

Sep 28, 2010. Honored to be the first Featured Filmmaker on agnesfilms.com.

Mar 22, 2010. Films for the Feminist Classroom reviews Same Same, but Different. FFC provides critical assessment of the value of films as pedagogical tools in the feminist classroom.

Mar 1, 2010. The 73rd most popular blogger in Akron, Ohio reviews Same Same, but Different.

Feb 5, 2010. Invited by the California Arts Council to workshops in Los Angeles, San Diego, and the Bay Area on best practices for arts education video documentation.

Jan 29, 2010. Ransom Riggs wrote about my Wifebeater project in Mental Floss.

Sep 25, 2009. I'm the next biggest thing.

Nov 5, 2008. Selections from Same Same, but Different won 1st Place and $1000 in the Project Sunlight 2008 Short Film Contest, an incubation project to shed light on untold stories of the Korean American Diaspora.

Mar 7, 2001. Frako Loden in SF Weekly: “My personal favorite, Oma Rhee, is a devastating portrait of the filmmaker's Korean-American mother, a doctor who curtailed her career to raise daughters."